Saturday, May 17, 2008

Shameless Plug

I recommend anyone who finds themselves near Hastings over the next month to pop in here to see John Holland’s (absolutely no relation, no way, honest) latest exhibition called Food Production. It’s really very good. From 23rd May till 20th June.

Here’s a quote from the press release:

John Holland’s work takes the form of environments – installations of objects and constructions which contain great variations of scale and detail. They are fictive spaces, often based on remembered liminal spaces like feral gardens or woodland at the edges of surburbia. They are an attempt to form a response to, or even just a definition of, nature hence they tend to be confused, romantic, toxic, cynical, hopeful, a bit rubbish, and ultimately doomed.

(It) sounded like a light aircraft, lights seen were 2 steady white, 1 green and I red flashing…

From the nice people at Things two great links; the first to here, recently released government files on UFO sightings. Amazing stuff that reads like an old episode of Doctor Who or a Brit science fiction film from the ‘60’s with transcripts of questions in the House of Lords and earnest conspiracy theorist questions stonewalled by MOD officials.

I remember reading a few years ago an essay of a deconstructivist bent that argued conspiracy theory was an example of post structuralist discourse in that it destabilised meaning and cast doubt on truth. This seems an obvious point at first but it had a subtler resonance missed by conspiracy theorists themselves. The point about these theories is that they cannot be proved. They are by their nature in permanent opposition to the truth. As soon as they are proved they become the official line which must then be disproved, or opened back up to question. This is why they lend themselves to outcasts and occultists who define themselves by their outsider status, using conspiracy theory as a scaffold on which to hang their disbelief. This is also of course the kind of labyrinthine hall of mirrors so beloved of post-structuralism.

The point of conspiracy theory is not to uncover the truth (whatever people might say to the contrary) but to question the truth in the first place. UFO’s are the ultimate conspiracy theory because the question is always phrased as; “why haven’t we seen them?” and not; “why would we?”.

I love UFO photographs though. I’m fascinated by the effort that goes into them and their geneology. They speculate on the design of unknown objects, each one contributing to a collective sense of what such things might be. Also, why are they round? We have rockets and ‘they’ have discs. I’m convinced this is something to do with their ambiguity, whether they are coming towards us or away, whether they are large or small. It allows them to hover forever at the edge of our knowledge, a constant source of anxiety and speculation.

The second link more prosaically is to Chris’s British Road Directory which as well as being a site of extraordinary research contains some amazing material including photographs of the building of the M1 motorway that are strangely moving, and an archive of old road signs.

The wonderful I Like stays strangely silent on the subject of UFO’s (suspicious that) but does have a link to Utopia Brittanica, a site devoted to tracing the history of utopian communities in the UK. This is a theme close to my heart and I wrote a piece not so long ago about such places and in particular one in the village where I grew up which fascinated me as a child and continues to have a hold on my imagination now.

At the time of writing it - for a German magazine called Die Planung - I tried to do some research for it and failed, largely. Unfortunately Utopia Brittanica stops its search at 1945 but it’s highly likely that someone somewhere is compiling a site about Hippie Communities in the Essex Countryside During the 1980’s. If there isn't I want to know why. Perhaps the information contained within it is too dangerous and it has been suppressed. Suspicious, very suspicious.

Sunday, May 11, 2008

The Beginning Of The End

Apropos the Richard Rogers exhibition, Hugh Pearman writes in today's Sunday Times (which arrived as ever pressed and ironed on my breakfast tray this morning) of the end of high tech, it's long dominance over the (specifically) British architectural scene over, finally replaced by other directions. Yes, yes I know, the article namechecks FAT, but (seriously) my interest in pointing it out lies in a thought that high tech may not have been the straightforward and pragmatic style of architecture of popular consensus. Or rather there may have been more interesting things happening within it than even (or especially) its own advocates allowed. I started thinking about this when I visited the Rogers exhibition a while ago myself (see here) and found its hippy past considerably more interesting than its New Labour present. In this sense the practice represents a fairly classic baby boomer trajectory, a journey from youthful radicalism to establishment worthyness. The two jobs that made Rogers famous - Pompidou and Lloyds - collapse this shift into a relatively short period of time. From the socialist Grands Projets to the ultimate temple to Mammon with very little in between.

The notion of flexibility supposedly inherent in the (admittedly brilliant) Lloyd's building is a distant cousin to those that inspired the Pompidou Centre. These two buildings also then describe the journey of '60's radical architecture from the dematerialisation of building to a new monumentalism.

Below is a much longer post that comprises some rather random thoughts about this journey.